Reference
Almost every photograph on this page is an H and H Coffee or Hoffmann-Hayman item we’ve documented but do not own. They come from online auction listings, collector and dealer photos, newspaper and archive scans, museum study visits (where we were able to photograph objects in another institution’s holdings), and material shared with us directly. Exception: one Bolner’s Fiesta retail product (16 Mesh Black Pepper) is not H&H-labeled; it is here as related reference for the Bolner’s Fiesta and H and H (1971) equipment narrative. We keep reference material separate from Our Collection so the difference between what’s in hand and what’s only on record stays clear.
For factory equipment after the roastery closed — where at least one industrial grinder reportedly went inside another San Antonio food business — see the blog post Bolner’s Fiesta and H and H (1971) (Texas Monthly / Texas Highways reporting; primary records still sought).
The gallery is a working reference — useful for identifying a piece you’ve come across, comparing label variants and size runs, or tracking down something we’d like to track further.
The image grid follows the ordered sequence: in _data/galleries/reference/order.yml. This outline groups the same material to follow the firm’s story — packaging first, then how it was sold and seen, then the people behind the cup, then the brand out in the world, then the audio:
- Tins, pails, and bags in variants we don’t hold — Press: the San Antonio Evening News for 18 April 1922 advertises H and H Blend in whole bean, medium ground, and pulverized, each in ½ lb, 1 lb, and 3 lb containers (blog note, newspaper scan). Opening with the earliest surviving H and H Blend branding documented for the project: a previously-undocumented large bulk-size H and H Blend tin with a square cross-section, a recessed circular lid well at the top (lid missing), the same vertical ‘H & H’ monogram on the narrow sides, the same early ‘We roast It / others praise It’ slogan on the front face, and the full ‘This is a blend of High Grade coffees, selected and roasted with care and is guaranteed to please’ guarantee on the back face — branding identical to the early-1920s three-pound H and H Blend tin from Euless, TX but in a much larger format consistent with bulk grocer-counter or family-size packing; the rest of the H and H Blend run including a three-pound tin and a one-pound Medium Ground rectangular tin from the Mac Johanson collection; H and H one-pound bag designs; Master Chef “Free Offer” and updated labels; the three-pound Broncho tin as listed on ArtofthePick.com (the tin itself — we own the 12x18 Antique Archaeology poster of this tin, shown in Our Collection); a Border Coffee three-pound tin; Sam Houston tins and a galvanized zinc coffee pail with wire bail handle (documented both in the Mac Johanson collection and on display at the Witte Museum in San Antonio); and a Texas Girl one-pound paper bag — closing with an Alamy stock photograph of a Border Brand “cup & saucer premium” pail whose side cartouche plainly reads “THIS BUCKET CONTAINS CUP & SAUCER PREMIUM / Hoffmann-Hayman Coffee Co. / San Antonio, Texas”, grouped in the same frame with two three-pound rectangular H and H Blend tins in very different states of wear and an unrelated Geo. W. Wilson Co. “Winner Brand Pickles” jar that sits in for contextual San Antonio packing reference, the whole frame documenting the Border Coffee premium variant explicitly called for on the Border Coffee brand page; and a nine-photograph set from a 15 October 2019 look at Hoffmann-Hayman material in the Witte Museum’s own collection during a special presentation to the project (Witte 2019 visit post) — Border Premium 3 lb and 4 lb cup-and-saucer pails, Sam Houston 4 lb, Texas Girl 1 lb paper bag, H and H Blend rectangular and vacuum-packed rounds plus a brick in archival wrap, a western Anita Brand / Peaberry Blend three-pound pail, and the bottom of a leaf-form ashtray premium (earned by sending in H and H coupons) embossed ‘Eat — Smoke — Drink — H&H — Coffee’, Witte accession KS 193 — all institutional reference, not items we hold in Our Collection.
- Crystalvac jars and Three Rivers supplier site — the Texas Historical Commission marker at the Three Rivers Glass Company works (Three Rivers Glass bottles) — field reference for the glasshouse behind Hoffmann-Hayman’s square jars — then jar photography: a single labeled jar, a documented pair of clear and amber one-pound jars from the Mac Johanson collection (useful for comparison with the unlabeled jars we actually own), and a multi-item staging that places a Crystalvac jar alongside an H and H Tea box and an H and H High Grade Vacuum Packed Coffee keywind tin to set the brand’s packaging family beside one another in one frame.
- Signs and posters — an H and H storefront sign and three Texas Girl pieces grouped together: a Texas Girl coffee sign, a framed Texas Girl poster, and a framed tin sign (photo courtesy Darin Grimsley, found in Kansas).
- Ephemera and paper — the Hoffmann-Hayman postcard, a 1936 Texas Centennial Blue Bonnet seed packet credited “Compliments Sam Houston · Texas Girl Coffees” (front and back placed adjacent), a Victorian Simpson & Doeller (Baltimore) trade card advertising Design and Print Labels of Every Description — the same firm whose skirt mark is documented on a 1920s H and H Blend tin (tin-marking post) — a July 2015 project photograph of the small Ask Your Grocer / H AND H COFFEE paper sampler cup alone, a July 2015 side-by-side of Texas Girl (2 lb family) and H and H (1 lb, Master Chef strip, Continental Coffee Company) paper bags, and a staging photo combining that seed packet with the same cup line set against H and H Blend and Sam Houston tins.
- Vehicles — H and H out on the street: an H and H Blend promotional parade auto with a giant cube of the product mounted on top, a working Texas Girl Coffee delivery truck, and a wider crew shot with H and H delivery trucks lined up beside their drivers.
- Related brand (not H&H packaging) — Bolner’s Fiesta Extra Fancy 16 Mesh Black Pepper (8 oz) retail bottle, project photo 15 January 2024 — context for the 1971 grinder story (secondary sources; not Hoffmann–Hayman merchandise).
- 1932 Delaware Street plant — GW Mitchell archive — Interior crowd photograph from the December 1932 grand-opening period: CUP TESTING DEPT. signage, guests with cups and saucers, counter service in white uniforms — GW Mitchell Construction reference image (not an accessioned original in our files); context in Factory Construction by G. W. Mitchell.
- People — the cuppers — a small cluster of three “person evaluating the coffee” documentary images presented in descending order of identification confidence: first the UTSA San Antonio Light photograph of Gus P. Menger and his son Albert at a cupping table in front of the H and H silos (archival caption confirms identity), then the framed formal studio cupping portrait (tentative Gus P. Menger in later life), and finally the loose print of a man at a drum roaster — association by archive (adjacent H and H sheets in the same stack), not by an H and H mark in the frame.
- Storefronts and streetscapes — in-situ retail documentation of H and H Coffee signage in chronological order across very different commercial contexts: first a late-1920s / early-1930s black-and-white street photograph of a belt peddler in San Antonio with the Oriental Cafe and Bar’s urban cafe-marquee signs directly behind him advertising “Serving H&H Coffee”; next, a 1949 photograph from UTSA Digital Collections (General Photograph Collection, item 9664) showing the Azteca Cafe exterior with painted signage for tacos de barbacoa, H and H coffee, and beer; then a black-and-white documentary photograph (in the manner of early-1940s FSA/OWI work) of a rural South Texas Tejano general-store porch where a large porcelain-enamel “H AND H Coffee” sign sits on the porch railing facing the street between a Tinsley’s Natural Leaf tobacco sign and a dense period array of snuff, RC Cola, Chesterfield, Union Leader, Union Standard, and Bugler tobacco advertising, dated to 1942 or shortly after by a Spanish-language “Mujer Mexicana” (1942) movie poster leaning at left; a black-and-white UTSA street photograph from the Ray Howell collection (item 412) of Mi Tierra Cafe and Bakery at 218 Produce Row with Master Chef Coffee (H and H) building signage, Produce Row and S. San Saba in frame; and finally — at a museum remove — a “Nuestra Cultura · 75 Años” 2016 lanyard pass from Mi Tierra Cafe & Bakery’s September 2016 75th-anniversary celebration, photographed in 2024 on display in the Witte Museum exhibit “Mi Cultura — Bringing Shadows Into the Light: The Photography of Al Rendón” (a 50-year retrospective of San Antonio Tejano cultural photographer Al Rendón, curated by Bruce Shackelford and Katherine Nelson Hall, on view 2 September 2023 – 27 May 2024 in the South Texas Heritage Center as part of the 2023 FOTOSEPTIEMBRE festival) — almost certainly Rendón’s own working press pass from the anniversary, displayed in the same wall run as his press passes from Led Zeppelin and Elton John concerts; the card’s sepia portrait montage of Pedro and Cruz Cortez incorporates the same iconic 1950s Mi Tierra storefront imagery already tracked in the project (1 2 3), with a clear vertical “MASTER CHEF COFFEE” wall sign in the upper right of the backdrop documenting the H and H hotel-and-restaurant trade brand on Mi Tierra’s storefront — a third in-situ Master Chef / H&H signage frame, this one preserved on a working photographer’s press pass and elevated into a curated retrospective at the Witte rather than an original period photograph.
- Audio and broadcast — a black lacquer Master Chef Coffee radio advertising record cut by Broggi Advertising Agency, San Antonio, in August 1961 (four spots, A-17-61 through A-20-61), contributed by Kevin Mackey — one of the very few audio pieces documented for the H and H / Master Chef line.
If you own one of these — or know who does — the contact and wanted pages are the right place to reach us.