1 minute read

Linen postcard, "Skyline of San Antonio, Texas," a colorized aerial view across the downtown skyline toward the Smith-Young (Tower Life) Tower, credited © Summerville Photo.

This is not an H and H object — but the credit line in the lower-left corner is why it is here. The card reads “21 — SKYLINE OF SAN ANTONIO, TEXAS,” a colorized linen view looking across the downtown rooftops toward the slender setback tower at center — the Smith-Young Tower (today the Tower Life Building), completed in 1929 and for decades the tallest thing on the San Antonio skyline. And down in the corner: “© Summerville Photo.”

Summerville Photo is the San Antonio studio that made the large-format 1929 Hoffmann-Hayman employee panorama — the “two H&H billboards side by side” group photograph whose left half sits in this collection as the “Fragrant…” billboard photo. The H&H panorama and this tourist postcard are two outputs of the same shop: one a private commission for a coffee company’s office, sales, and plant staff; the other a mass-market view card sold to visitors. Holding a signed, dated, commercially-printed Summerville product gives us a second, independent sample of the studio’s hand and output — useful comparandum material as we keep working to pin down the studio’s attribution on the H&H photographs.

The back — a 1948 message, mailed from the road

Reverse of the postcard: a 1-cent Washington stamp with a Texas duplex cancel, and a handwritten message signed "Larry" addressed to Mrs. Lawrence Miller, 200 E. Melbourne, Peoria 4, Illinois.

Unlike most cards we keep for their faces, this one is postally used, which dates its life rather than just its printing. A 1-cent Washington “Prexie” stamp and a Texas duplex cancel place the mailing before the 1952 jump to the 2-cent postcard rate — consistent with the handwritten 1948 in the message. “Larry” (Lawrence J. Miller) writes home to Mrs. Lawrence Miller at 200 E. Melbourne, Peoria 4, Illinois, complaining cheerfully about the heat — “85 to 90° all day long” — under the card’s own boilerplate, “San Antonio, Home of the Alamo, Gulf Breezes and Sunshine.” The Curteich-style serial 3A-H1268 marks it as a linen-era card; the postmark tells us it was still circulating, and selling, a decade or more after it was printed.

Accession and references